清乾隆琺瑯彩花蝶瓶 ENAMEL PLATE WITH FLOWER AND BUTTERFLY, QING DYNASTY, QINGLONG REIGN

六字紅釉款是官窯廠為皇帝燒製御用器，琺瑯彩以四字藍料款為特製器，官窯廠則以紅釉款為最高級別。

瓶敞口寬邊, 短頸, 折肩, 器身較細長, 肩下漸收至足部。

瓶內外全體施白釉作地, 瓶身彩繪蝴蝶於花卉間嬉戲的一瞬, 並於一面以墨書題詩, 詩畫合一。

器底以紅彩書有「大清乾隆年製」篆書六字款。

與色彩鮮明、立體感強烈的琺瑯彩作對比, 粉彩整體的發色效果顯得較粉嫩柔和。

粉彩原始創於康熙朝, 於雍正時期得到極大發展, 工藝發展成熟, 至到乾隆朝時更是達至頂盛, 粉彩亦被廣泛應用到當時新創的紋飾、器型上, 成為乾隆朝彩瓷的一大特色。

The bottle has an open mouth and wide sides, a short neck, a long and thin body and folded shoulders.

Both inside and outside of the bottle is covered with white glaze, and the body is painted with butterflies playing among the flowers. On one side, it inscribes poems in ink and calligraphy, combining poetry and painting.

The bottom of the vessel is marked in seal script with “Made in the Qing Dynasty, Qianlong reign” in red.

In contrast to the enamel with bright colors and strong three-dimensional effect, the overall color effect of pastel looks softer.

The pastel was originally created in the Kangxi reign, and it was greatly developed in the Yongzheng reign when the craftsmanship developed and matured at that time. It reached its peak in the Qianlong reign, and pastels were also widely used in the newly created patterns and shapes at that time. It has become a major feature of Qianlong reign colored porcelain.